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Vintage Art Deco Diamond Dog Collar Necklace & HeadpieceStep into the captivating world of the 1920s with this magnificent Art Deco choker. A testament to the Art Deco era's elegance, it features an array of 345 exquisite diamonds totalling approximately 15.81 carats including the central diamond, a pear-shaped old mine cut diamond of about 1.25 carats, creating a dazzling ensemble. Not only does this jewel function as a necklace, in true Roaring Twenties fashion it also doubles as a spectacular headpiece. This platinum masterpiece embodies the Art Deco style's geometric forms and bold design, capturing the glamour and sophistication of the Roaring Twenties. Without a doubt, this necklace is a stunning symbol of an era defined by opulence and modernity, ready to adorn those who appreciate the timeless allure of Art Deco craftsmanship. |
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Looking forward to whatever road lying ahead, this Italian Fifties 18K gold carriage built in Mellerio style has the ability to carry you to any gala you could ever imagine.
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Evoking the refined aesthetic of the 1950s, this distinguished platinum ring, presumably of Belgian craftsmanship, showcases a splendid assembly of 43 diamonds, collectively weighing about 3.44 carats. It stands in sublime condition, a sparkling homage to the period's fashion and an ode to its poetic culture. Serving not just as a jewel but a piece of history, it carries the timeless splendour of the diamond, April's treasured birthstone. |
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A quintessential Vintage Fifties ring, circa 1950, presents an era's elegance with a touch of Art Deco inspiration. A platinum band holds a central untreated sapphire of approximately 3.40ct, flanked by four carre cut diamonds and six smaller sapphires. This piece encapsulates the rich history of betrothal rings, echoing traditions from Roman times through the Archduke Maximilian's influential engagement in 1477. With roots deep in cultural significance, it represents a timeless commitment, crafted during a period steeped in post-war optimism and fashion evolution. |
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This vintage 1930s Art Deco ring epitomizes timeless glamour. Crafted in platinum, it boasts the iconic Art Deco aesthetic with geometric forms. The centerpiece, an enchanting vintage emerald-cut diamond (approx. 0.60ct), is encircled by 18 brilliant-cut diamonds. |
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This ring, a harmonious blend of fifties flair and Art Deco's geometric elegance, tells a tale of timeless commitment. Crafted around 1950, it carries the era's spirit, touching the threshold of Retro and Art Deco styles with its platinum gleam and bold design. At its heart, a 2.20ct untreated emerald, encircled by 14 old mine-cut diamonds totalling approximately 2.24ct, whispers stories of the enduring tradition of engagement rings. Each stone is a testament to natural beauty and authenticity, echoing a history of love's promise. |
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Evocative of the holiday season's joyous spirit, this Victorian brooch from circa 1870 is not just a treasure of history and happiness but a bold statement piece, exuding a distinctive flair. Its radiant design, featuring a central rose-cut diamond akin to a halo, symbolises an aureole of happiness. The four golden spokes, each culminating in a rose-cut diamond, and the additional four diamonds that encircle the periphery, mirror the warmth and sparkle of festive lights. Crafted in 18K yellow gold, this piece, a testament to the grandeur of the Grand Victorian Period, transcends traditional gender norms, making it a stylish addition to a man's lapel, showcasing daring and elegance. More than a mere ornament, it embodies the essence of joy and celebration that resonates through time, a carrier of timeless happiness, reminiscent of the holiday season's enchanting glow. |
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Discover in how many jewels this piece can transform! |
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Once in a blue moon, we encounter a jewel of which afterwards it dawns on us that it could as well be fate that brought it to us. This French antique cameo necklace is undoubtedly one of those, for when it came to Adin it had lost its purpose due to unfortunate events during its centuries long lifespan: It just couldn’t adorn nor be adorned as a necklace anymore as pieces of the shell cameo were falling apart. Nevertheless, we recognized its historical value and inspirational allure, so we took up our task to restore the jewel to its former glory, and even beyond. After meeting with Carolien Cuyvers, who is a contemporary jewellery designer-goldsmith and an expert in Japanese lacquer, the pieces of the puzzle fell into place -literally as well as figuratively- and were kept in place thanks to Carolien’s application of the Japanese technique of kintsugi. As honoured as we are by our role in the story of this unique necklace, we hope its next owner will appreciate all the marks that healed tragedy leaves behind and will wear this unique piece with such pride that together they shine rays of gold through the scars of life. |
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The Romantic Victorian PeriodExperts divide the reign of Queen Victoria, also called The Victorian era (1837-1901) into three periods of about twenty years each; The Romantic Victorian Period (1837 - 1860), The Grand Victorian Period (1860 - 1880), and the Late or Aesthetic Victorian Period (1880 - 1901). We consider these earrings to be of The Romantic Victorian Period. This period covers the coronation of Victoria as Queen of Great Britain and Ireland, and her marriage to King Albert and their love, their devotion to their marriage and to their country are the sources of inspiration for this period. Highly favored (semi-) precious stones in this period are amethyst, coral, garnets, seed pearls and turquoises. The connotation is obviously sentimental, symbolic and romantic with reminiscent Gothic and/or Renaissance patterns and an abundant use of motifs like anchors, birds, branches, crosses, hearts and snakes. |
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The Late or Aesthetic Victorian PeriodExperts divide the reign of Queen Victoria, also called The Victorian era (1837-1901) into three periods of about twenty years each; The Romantic Victorian Period (1837 - 1860), The Grand Victorian Period (1860 - 1880), and the Late or Aesthetic Victorian Period (1880 - 1901). We consider these earrings to be of The Late or Aesthetic Victorian Period. Jewelry of this period is changing back from heavy to more smaller, romantic pieces with often whimsical motifs. Jewelers using diamonds and bright gemstones in elaborated and fine feminine pieces. |
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The Art Nouveau StyleAlthough Art Nouveau took on distinctly localised tendencies as its geographic spread increase some general characteristics are indicative of the form. A description published in Pan magazine of Hermann Obrist's wall-hanging Cyclamen (1894) described it as "sudden violent curves generated by the crack of a whip", which became well known during the early spread of Art Nouveau. Subsequently, not only did the work itself become better known as The Whiplash, but the term "whiplash" is frequently applied to the characteristic curves employed by Art Nouveau artists. Such decorative "whiplash" motifs, formed by dynamic, undulating, and flowing lines in a syncopated rhythm, are found throughout the architecture, painting, sculpture, and other forms of Art Nouveau design. |
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The Art Deco StyleArt Deco is an eclectic artistic and design style which had its origins in Paris in the first decades of the 20th century. The style originated in the 1920s and continued to be employed until after World War II. The term "art deco" first saw wide use after an exhibition in 1966, referring to the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes that was the culmination of high-end style modern in Paris. Led by the best designers in the decorative arts such as fashion, and interior design, Art Deco affected all areas of design throughout the 1920s and 1930s, including architecture and industrial design, as well as the visual arts such as painting, the graphic arts and film. At the time, this style was seen as elegant, glamorous, functional and modern. |
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The Belle ÉpoqueThe Belle Époque (French for "Beautiful Era") was a period in European social history that began during the late 19th century and lasted until World War I. Occurring during the time of the French Third Republic and the German Empire, the "Belle Époque" was named in retrospect, when it began to be considered a "golden age" the major powers of Europe, new technologies improved lives and the commercial arts adapted Renaissance and eighteenth-century styles to modern forms. In the newly rich United States, emerging from the Panic of 1873, the comparable epoch was dubbed the Gilded Age. In the United Kingdom, this epoch overlaps the end of what is called the Victorian Era there and the period named the Edwardian Era. |
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The Late Victorian PeriodJewellery from the Late or Aesthetic Victorian Period (late 19th Century) is changing back from heavy to more smaller, romantic pieces with often whimsical motifs. Jewelers using diamonds and bright gemstones in elaborated and fine feminine pieces. |
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"Thorvaldsen's Cupid and Bacchus"The source of inspiration for this 19th Century jewel is a relief that the famous Berthel Thorvaldsen (1770-1844) made around 1810. The scenery is depicting Cupid and Bacchus stomping grapes. Pictures of the original relief can be found in The Thorvaldsen Museum inventory number A413. To see these pictures and find more about this interesting jewel, click the picture above to get to its describing page. |
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"The triumph of Priapus"A classy 18th Century ring with an image that, once you understand what you're looking at, makes you giggle. The image is known as "The triumph of Priapus" and we even found some 18th century drawings with this scene belonging to The British Museum. As far as we have been able to determine, only a few of these rings with this scenery are known to exist. We were lucky enough to find a very interesting thesis from Raimon Graells i Fabregat (2011) in where he dives fully into the history of this ring. For more information, click the picture to visit the describing page of this ring. |
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